“Women, War & Peace” – Documentary Filmmaking as Activism
“Women, War & Peace” illustrates the power of women to challenge the male-dominated structure of the peacemaking process, formulating their own version of pushback.
“Women, War & Peace” illustrates the power of women to challenge the male-dominated structure of the peacemaking process, formulating their own version of pushback.
A consistent theme is the ambivalence of being caught between the desire to move forward and a need to stay connected to the past.
At a time when the Environmental Protection Agency is coming under attack for “over-regulation,” the film stands as a testimony to what happens when the public’s health is neither protected nor considered.
Repeatedly referenced as a “feminist icon,” Steinem often functions as a blank slate upon which others imprint their own anxieties, appreciation, disapproval or angry resentments.
The story’s trajectory follows Kathryn Bokovac from her discovery of trafficking corruption, complicity, and cover-ups through her efforts to report her findings—despite files of evidence disappearing and witness tampering.
Like all revolutions, there were strong leaders, cults of personality, and fervent ideological differences that led to fractures.
News footage traces American presidents expounding upon the need for energy independence. It begins with Richard Nixon in 1974 telling the country, “We must provide for our own energy needs.”
The movie clearly ties the fire and its lessons to contemporary topics.
Benazir Bhutto was born in 1953. Nobody came to visit her mother for three days; they were in mourning that she hadn’t given birth to a son.
Client 9 delves into an interesting set of circumstances. However, it is not built upon the questions that I brought to the film.