Filmmaker Gayle Kirschenbaum: Reconciling with Mother
The film is Kirschenbaum’s undertaking to get to the bottom of her family’s dynamics, and why her mother had such enmity towards her. “What went wrong?” she asks.
The film is Kirschenbaum’s undertaking to get to the bottom of her family’s dynamics, and why her mother had such enmity towards her. “What went wrong?” she asks.
The story’s heroine, Jennifer, is on the cusp of turning 40 while dealing with a difficult divorce, job stress, and the trials of building a life that allow her to function on all fronts.
It is Radycki’s premise that Modersohn-Becker was a “pioneer and groundbreaker,” one of the key early German modernists—the “missing piece in the history of modernist imagery.”
Over the past seventeen years, my views about motherhood have shifted, evolved, and been redefined.
The function of caretaking is diminished until it is time to pay the piper – when something goes wrong. Inevitably, the question almost always comes down to, “Where was the mother?”
I interviewed Joan Blades by telephone to get her reaction to Palin — who actively references her role as a mother. “We haven’t heard her agenda yet,” Blades told me. “The focus needs not to be on [her] personal family issues, but what she would do as Vice President.”
The July 4th weekend is over, and I am still reflecting on where women are in the political and cultural landscape of America. Abigail Adams didn’t get to sign the Declaration of Independence, Betsy Ross sewed the flag, and how many people even know who Deborah Samson Gannett was?