The documentaries by these two filmmakers have the explicit goal of questioning the legacy histories put into play by the Israeli government and hasbara proponents. Following in the footsteps of the Israeli New Historians, directors Karnit Mandel and Assaf Banitt have endeavored to show the Israeli public the realities of “nation-building.”
In 1908, an 18-year-old Weitz left his birthplace of Russia to follow the Zionist dream in the Holy Land. He was appointed the Director of Department of Lands at the Jewish National Fund, known as the “Blue Box fund to buy land,” in 1932.
I was able to see a majority of the films. More than a few gave me sleepless nights. There were threads connecting the different movies. In this series, they will be grouped within that context.
Ramallah, a historically Christian city, serves as the seat of the Palestinian government. It is at the epicenter of Palestinian commerce and culture. It is also ringed by Israeli settlements.
“Cinema. Dialogue. Understanding.” These words were on the screen at the Other Israel Film Festival, at the JCC in Manhattan, as the auditorium filled up on opening night. Sharqiya, by first time Israeli filmmaker...
"The Jump Rope Line" by Marcia G. Yerman is included in the Seal Press anthology Dancing at the Shame Prom.
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